Tate Modern – Topology project
Saturday 5 November 2011 – Saturday 16 June 2012
Giorgio Agamben, Étienne Balibar, Rosi Braidotti, Drucilla Cornell, Olafur Eliasson, David Harvey, Bruno Latour, Achille Mbembe, Sandro Mezzadra, Ernesto Neto, Boaventura de Sousa Santos, Suely Rolnik, Peter Sloterdijk, Shiv Visvanathan and Peter Weibel are among the leading intellectuals, artists and writers who will be coming to Tate Modern as part of the Topology project.
http://www.tate.org.uk/modern/eventseducation/talksdiscussions/topology.htm
Mathematicians in the first half of the twentieth century constructed Topology as a general theory of space. It initially emerged as an understanding of space in terms of properties of connectedness and invariance under transformation. Within a few years of its inception, psychologists, psychoanalysts, architects, artists, scientists and philosophers had started to use the conceptual language of relationships, intensities and transformations of this new theory outside its original field of mathematics. Limit, boundary, interior, exterior, neighborhood, disconnection and cut were central notions that became ways of describing the fields of forces experienced by individuals. Static ideas of space as a container were replaced by understandings of movement-space, of multiplicity, differentiation and exclusive inclusion that in turn have led to new ideas of power, subjectivity, and creativity.
Topological theory has thus come to serve as a link in a network of disciplines: in each case the multiplicity of space and the formal analysis of its relations has proved illuminating. Few commentators have made explicit the nature of this topological grounding however, and in many ways these mathematical realities have been allowed to fade into the background. The Topology series of events renders explicit what has been lost sight of in this process by inviting contemporary intellectuals, artists and writers to discuss how they make use of topology in their thinking, writing and making.
Curated by Bernard Burgoyne, Marko Daniel, Julian Henriques, Celia Lury, Jean Matthee, Brian Rotman and Fredrik Shetelig.
Saturday 5 November 2011
Topology: Spaces of Transformation: Borders with Étienne Balibar, Sandro Mezzadra and Bernard Burgoyne
Saturdays 12 November 2011 to 5 May 2012
Topology: Secrets of Space Seminars
Saturday 19 November – Sunday 20 November 2011
Topology: Embodying Transformation
Saturday 21 January 2012
Topology: Spaces of Transformation: Edges of the World
Saturday 3 March 2012
Topology: Spaces of Transformation: Continuity/ Infinity, with Olafur Eliasson, Bruno Latour and Peter Weibel
Saturday 31 March 2012
Topology: Spaces of Transformation: Contemporary Art as the Space of Liturgy
Saturday 28 April 2012
Topology: Spaces of Transformation: Epistemologies of the South: Reinventing Social Emancipation
Saturday 12 May 2012
Topology: Spaces of Transformation: The Vast Space-Time of Revolutions Becoming
Saturday 16 June 2012
Topology: Spaces of Transformation: Spatialised Immunity with Peter Sloterdijk
The Topology project is developed at Tate Modern in collaboration with NTNU Trondheim (Norwegian University of Science and Technology), Goldsmiths, University of London, Ohio State University and Middlesex University Centre for Freudian Analysis and Research.
Supported by Illustrious, 3d Audioscape, Duran Audio UK, Creative Sound Design, Martin Professional Plc, Ambersphere Solutions Ltd, Richard Martin Lighting and Pip Rhodes Lighting Design.
Affichage des articles dont le libellé est topologie. Afficher tous les articles
Affichage des articles dont le libellé est topologie. Afficher tous les articles
mardi 3 janvier 2012
mardi 1 mars 2011
Exposition Sylvie Pic : dessins
Exposition Sylvie Pic : dessins
Académie royale des Beaux-Arts de Bruxelles
du 25 février au 31 mars 2011.
Exposition ouverte du lundi au vendredi de
9 h à 18 h et les samedis de
9 h à 13 h
Cette exposition est organisée dans le cadre du programme de recherche “Art, topologie, psychanalyse” développé depuis deux ans à partir de l’option “dessin” de l’Académie royale des Beaux-Arts de Bruxelles et dans le cadre des manifestations “Drawing in an Expanded Field” : 300 ans d’existence de l’Académie royale des Beaux-Arts de Bruxelles - EsA et 30 ans de l’atelier de dessin
mercredi 6 mai 2009
Sylvie Pic : “Des espaces qualitatifs”
Sylvie Pic : “Des espaces qualitatifs” To fold a hole (5), 2003. Acrylique et crayon blanc sur papier préparé à l’acrylique. Dimension de chaque pièce : 50 x 50 cm.
Acrylic and white pencil on paper primed with acrylic. Size of each piece : 50 x 50 cm.
Sylvie Pic : “Des espaces qualitatifs”
« Depuis 1989, je travaille sur des “modèles d'espaces”. Je m'explique : précédemment, pendant une douzaine d'années, j'avais travaillé sur des représentations d'architecture, des vues, toujours intérieures, d'espaces architecturaux. L'être (et le spectateur qui pouvait se projeter imaginairement en eux) était DANS ces espaces, ces espaces lui préexistaient, lui étaient donnés, comme sont donnés des lieux vides, vacants (l'espace euclidien, infini, homogène, isotrope).
Dans les séries suivantes (“Tores”, “Diallèles”, “Sommations”, “The Anatomy of Melancholy”, “La Reprise”, “To bindivide”, etc ... ) l'être FAIT l'espace, l'engendre à partir de lui-même, à partir d'un “geste” initial, d'une tension, d'une direction de l'effort qui lui sont propres (poussée verticale, écartement latéral, mouvement circulaire ...)
Aucun espace, aucune étendue ne préexistent à ce “geste”. Espace et étendue naissent par lui, se déploient et s'étendent par sa répétition et son amplification. Ainsi une morphologie naît. Autrement dit, être et espace sont dans un rapport – existentiel, charnel – de définition et d'extension mutuelles. A la limite, l'être EST cette topologie particulière ».
http://www.documentsdartistes.org/cgi-bin/site/affiche_art_web.cgi?&SEL=actualite&FULL=1&ACT=4&ID=51
“I have been working since 1989 on "space models". Before, I used to work on architectural representations, views, all interiors of architectural spaces. The being (and the spectator who could project imaginary into them) was IN these spaces; these pre-existing spaces that were given to him like empty, vacant places are given (Euclidian, infinite, homogeneous, isotropic).
In the series of works that followed ("Tori", "Dialleles", "Summations", "Lightening Act", "The Anatomy of Melancholy", "To Bindivide"...), the being makes the space, creates it, departing from himself, from an initial "gesture", a tension, an effort that comes from him (vertical thrust, lateral spreading, circular movement ...).
No space, no expanse was pre-existing to this "gesture". Space and expansion come into existence through it, develop and extend by its repetition ans amplification. The birth of a morphology is the result. Or : being and space are in an -existential, carnal- relationship of mutual definition and extension and in a way, the being IS this particular topology.”
http://www.drawingcenter.org/viewingprogram/share_portfolio.cfm?pf=968
« Depuis 1989, je travaille sur des “modèles d'espaces”. Je m'explique : précédemment, pendant une douzaine d'années, j'avais travaillé sur des représentations d'architecture, des vues, toujours intérieures, d'espaces architecturaux. L'être (et le spectateur qui pouvait se projeter imaginairement en eux) était DANS ces espaces, ces espaces lui préexistaient, lui étaient donnés, comme sont donnés des lieux vides, vacants (l'espace euclidien, infini, homogène, isotrope).
Dans les séries suivantes (“Tores”, “Diallèles”, “Sommations”, “The Anatomy of Melancholy”, “La Reprise”, “To bindivide”, etc ... ) l'être FAIT l'espace, l'engendre à partir de lui-même, à partir d'un “geste” initial, d'une tension, d'une direction de l'effort qui lui sont propres (poussée verticale, écartement latéral, mouvement circulaire ...)
Aucun espace, aucune étendue ne préexistent à ce “geste”. Espace et étendue naissent par lui, se déploient et s'étendent par sa répétition et son amplification. Ainsi une morphologie naît. Autrement dit, être et espace sont dans un rapport – existentiel, charnel – de définition et d'extension mutuelles. A la limite, l'être EST cette topologie particulière ».
http://www.documentsdartistes.org/cgi-bin/site/affiche_art_web.cgi?&SEL=actualite&FULL=1&ACT=4&ID=51
“I have been working since 1989 on "space models". Before, I used to work on architectural representations, views, all interiors of architectural spaces. The being (and the spectator who could project imaginary into them) was IN these spaces; these pre-existing spaces that were given to him like empty, vacant places are given (Euclidian, infinite, homogeneous, isotropic).
In the series of works that followed ("Tori", "Dialleles", "Summations", "Lightening Act", "The Anatomy of Melancholy", "To Bindivide"...), the being makes the space, creates it, departing from himself, from an initial "gesture", a tension, an effort that comes from him (vertical thrust, lateral spreading, circular movement ...).
No space, no expanse was pre-existing to this "gesture". Space and expansion come into existence through it, develop and extend by its repetition ans amplification. The birth of a morphology is the result. Or : being and space are in an -existential, carnal- relationship of mutual definition and extension and in a way, the being IS this particular topology.”
http://www.drawingcenter.org/viewingprogram/share_portfolio.cfm?pf=968
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